Feature Article: Short filmmaking
Making short movies is the best way to learn about
the whole process. If you have never made a film before,
this is the ideal starting point to picking up the
right skills, finding out how different pieces of
equipment work and generally going through the experience
of putting your ideas into pictures.
What are short movies?
A short movie lasts anything between one and ten minutes,
though some are longer. Shorts tend to be the preferred
type of movie for students and amateur filmmakers,
often because of the expense or time involved in making
feature films. But shorts are a particular kind of
film in their own right; they often have a very different
structure to features, can be more experimental, more
radical, less traditional. Most importantly perhaps,
they are the only real way to get your filmmaking
voice heard in a tough industry; if you want to finance
a feature film, you may spend years developing the
necessary threads of financial support but still end
up with few interested contacts. A short will be an
easier way to get your work seen with the range of
web film sites growing year on year (among them Atom,
and Ifilm) each of whom only take shorts, showing
them to a potential global audience.
What kind of material makes a short?
Any subject will make a good short but it undoubtedly
lends itself to succinct forms of storytelling, ideas
that you might find in short news articles or short
stories or in poems. In a feature film you have the
luxury of being able to develop a plot, introduce
us to characters and generally adopt a more meditative,
less action-oriented tone. You can develop side-stories,
include a sub-text to add more meaning and play around
with the overall structure of your movie. In shorts,
you may have to cut to the chase and use a deft touch
to show us who the characters are and what their roles
are in the movie. In a sense, this can let you off
the hook a little in that you can get straight down
to the story in the knowledge that the audience are
going to continue watching since it only lasts a few
minutes. You can try out ideas that feature films
can’t use, playing with the audience’s
expectations and perhaps introducing them to new ways
of looking at films.
Similarly, the length of the film also allows you to
adopt a more personal approach. Your own personal
style can be developed here whereas in feature films
you are restricted by an array of conventions if you
want the chance to get it seen in cinemas, which given
the extent to which American films dominate other
domestic cinemas, may be increasingly difficult in
any case.
Where can shorts be seen?
While it is true that almost no funding is available
for making shorts unless you investigate public arts
sponsorship, shorts have more of a chance of getting
seen now than at any point since the abolition of
a leverage in the UK which channeled funds directly
to short movies. The most likely place to get your
short movie seen is on one of the many online cinemas.
A list of these is elsewhere on this menu. Simply
fill out their online application form and send them
a copy of your movie on DV tape or VHS (DV is preferred).
They do the compression (squashing it down to size
so that it plays at a reasonable speed for viewers)
for you and will offer a far wider audience than showing
the movie at your local cinema, even if you could
afford to hire the place. Bear in mind that many charge
you for showing your movies, but given the potential
audiences, the costs are pretty reasonable, even at
the top end in sites such as AtomShockwave.
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